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This was probably intended to underscore the charming home-made feel of the project, but comes across as a little self-indulgent, and by the second listen I was distinctly irritated.This aside, there is a strong family element to the record.
‘See You There’ is almost too personal, and may be too much for some, as it tells the story of the early death of Joey’s brother; some of the detail feels rather like trespassing on someone else’s private grief, and some of the rhymes feel a little too obvious, but the song has a real emotional impact.
Although Rory does not sing on it, the harmony singers include June Martin and Rory’s daughter Heidi, and even Rufus, the family dog, gets in on the act.
Rory produces (with one Bill Mc Dermott), and of course contributes his songwriting talent.
Lyrically, imagine a meld of ‘You Ain’t Woman Enough To Take My Man’, the opposite of ‘Cheater, Cheater’, and a postive prequel to ‘Last Call’, as the protagonist shows up at the bar to collect her man and pay off his bill. ‘When The Needle Hit The Vinyl’ offers a nice change of pace, but is more memorable for the crackling vinyl sound effect at the end than for the song itself.
I liked the intense ballad ‘If Not For You’ (as close as Joey gets to AC rather than country) more the first time I heard it than I did on repeated listens.
Also lovely is ‘Paper Roses’, which Joey invests with emotion.
Joey’s vocal is honey-sweet and tender on ‘How’s The World Treating You’ (the oldest song included).
It comprises some of their favourite classic country tunes, dating from 1952 to 1980, and is dedicated to their respective parents and to baby Indiana.
There is a laid back feel to the selection of songs.
The best songs are the title track and ‘See You There’, which are the first (real) track and the penultimate one.
‘Strong Enough To Cry’ is an excellent song co-written by Rory with veteran songwriter Max D.
Joey and Rory wrote this song together, as they did ‘Nothing To Remember’, a charming song with a pretty tune and a good hook (“).